The Digital Afterlife of the Self: A Derridean Reading of Ruth Ozeki’s A Tale for the Time Being in the Age of Algorithmic Memory

Published2026-10-15IssueVol. 4 No. 3 (2026): Journal of Literature and Linguistics StudiesPages48-57SectionArticles
DOI 10.61424/jlls.v4i3.1078
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Abstract

This study represents how personal memory, grief, and human connection are revealed in Ruth Ozeki’s novel A Tale for the Time Being through Jacques Derrida’s theory of hauntology. The primary purpose of this research is to scrutinize how the novel contrasts physical life-writing, such as handwritten diaries, with modern digital networks to understand how we preserve memories and process loss today. Using a qualitative content analysis methodology, this paper conducts a close textual reading of the novel in relation a close textual reading of the novel close to Derrida’s concepts of spectrality, the visor effect, and the work of mourning. The key findings reveal that while digital algorithms flatten human grief into permanent data that refuses to fade, physical vestiges require a patient, empathetic reader to bring the past back to life. Furthermore, combining Derrida’s ideas about ghosts with Zen Buddhist concepts of temporal non-duality shows that technology alone cannot replace genuine human care in honouring the dead. Ultimately, the project concludes that reading serves as an active ethical commitment. Digital surveillance and algorithmic memory are forever shaping our world, but textual interaction creates an essential space for empathy, hospitality and meaningful mourning.

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Keywords

  • Digital Media
  • Hauntology
  • Memory
  • Mourning
  • Spectrality
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How to Cite

Sanjida Afrose, Shaon Gharami. (2026). The Digital Afterlife of the Self: A Derridean Reading of Ruth Ozeki’s A Tale for the Time Being in the Age of Algorithmic Memory. Journal of Literature and Linguistics Studies, Vol. 4 No. 3 (2026): Journal of Literature and Linguistics Studies, 48-57. https://doi.org/10.61424/jlls.v4i3.1078